Wednesday, September 30, 2015

Ten Ballets to See


        1. Swan Lake
        2. Romeo and Juliet
        3. Giselle
        4. The Nutcracker
        5. La Bayader
        6. The Rite of Spring
        7.  A Midsummer Nights Dream
        8. The Sleeping Beauty
        9. Don Quixote
      10. Cinderella

Listverse named these ballets as the top ten greatest ballets on its website. If you are an aspiring young dancer or have an interest in ballet, I would definitely recommend seeing any of the ballets on this list. I have seen most of these ballets performed. I have also performed in nine of them. Therefore, young dancers could definitely also use this list as ballets to begin to learn. It is never to early to start to become familiar with the characters and variations in these ballets. Listverse has short clips of each of these ballets on its website. If you are interested in taking a look at these, I put link below.
Listverse's Top 10 Greatest Ballets



                 http://missfeliciasdance.com/wp-content/uploads/2014/09/nutcracker9-700x574.jpg

Monday, September 28, 2015

Tips for Competing in the YAGP


The Youth America Grand Prix is the world’s largest ballet competition. It conducts competitions each year in15 cities in the United States and in Belgium, France, Italy, Mexico, Argentina, Brazil, Paraguay, and Japan. Over 50,000 aspiring dancers have competed in the YAGP over the years. There are thousands of talented young dancers who compete each year. Therefore, it is very competitive. I have competed in the YAGP three times, so, I thought it would be helpful for me to share some tips that will make the competition go smoother.

Tip 1: Do a dress rehearsal at your studio wearing exactly what you are going to wear on stage before competing. Professional tutus are often very heavy compared to your normal leotard. Therefore, you want to be sure that you are comfortable doing all of the steps in your dance with the tutu on. I personally practiced my variation with my tutu on multiple times before competing. Also, be sure to wear your headpiece for this dress rehearsal. You do not want your crown falling off on stage when you are doing pirouettes. A dress rehearsal will help you to figure out exactly how many pins to use for the headpiece on the day of the competition.

Tip 2: Do not get distracted by other dancers. Before competing at the YAGP, there is always a warm-up room where you can practice your dance. In the room, there will be at least twenty to thirty other dancers practicing their dances. Do not get caught up in watching them do their variations or trying to see if they are competition for you. The time in this studio is to warm your muscles up before you go on stage and to get mentally prepared. You do not want to start to worry about other dancers before you get on stage.

Tip 3: Right before doing your variation, go over the most difficult parts of it. Practice nailing that triple pirouette or hops on pointe. Doing these steps one last time before stepping on stage will definitely make you feel more comfortable during the performance.

Tip 4: Have lots of snacks with you during the day of the competition. Sometimes you don’t compete for hours. You do not want to have to dance feeling hungry. This makes some people feel even more nervous.

Tip 5: Accept that you did your best. Dancers are always so critical on themselves. If you go on stage and perform to your best ability, that’s all you can do. After performing don’t dwell on any minor errors or compare yourself to other dancers.

                                                   http://www.rachelpapo.com/images/yagp/yagp1.jpg



Friday, September 25, 2015

The Evolution of Ballet Class Attire


Today studying ballet is very structured. Every dancer must follow the ballet school’s dress code and wear her hair slicked back in a bun. I always wondered what a typical a ballet class looked like during the mid 1900s. So, I decided to look for photos of ballet classes back then.

The photo below definitely stood out to me. In this 1935 photo, Balanchine is teaching a ballet class at the School of American Ballet. After analyzing the photo, one would notice that none of the ballet students have their hair in buns. Each student is wearing a different colored leotard. Some students are wearing tights while others are wearing bare legs with socks. Some girls have skirts on while others do not. The girl at the front of the barre is even wearing a polka dot leotard.

                                                         Ballet Class 1935


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This photo was very interesting to me because I was shocked at how unstructured the dress code seemed to be during this time period. Today, each dancer in the same level class usually has to wear the same exact leotard or at minimum the same colored leotard. Dancers also usually have to wear pink tights. The instructor decides if skirts are allowed to be worn for class. You can’t take class if your hair is not in a neat bun.

                                                             Ballet Class Today

   https://aballeteducation.files.wordpress.com/2015/01/jko-pre-professional-division-studentse28094rosalie-oconnor2.jpg


The next question that came to my mind was, “Why has ballet class attire become so structured?” Maybe ballet teachers enforce a specific class attire to build discipline in the dancers. All dancers in the corps de ballet usually wear the same tutus and dance as a group. Therefore, ballet teachers might be creating this sense of uniformity early on to prepare dancers for corps de ballet roles. These are just a few of my ideas as to why ballet class attire has changed so much.